{"title":"Print","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eBooks, posters and printed works.\u003cbr\u003e\u003c\/p\u003e","products":[{"product_id":"every-pill-i-took","title":"Every Pill I Took","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eBefore wellness branding, before microdosing became language, before every object had to explain itself, pills were already carrying symbols, colors, logos, and tiny promises.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEvery Pill I Took: 2000–2001\u003c\/em\u003e documents the visual language of pills photographed by Michael Lorenzini while working as a New York-based nightlife photographer. 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What emerges is less a record of the city than its rhythm: the strange choreography of people moving through public space.\u003c\/p\u003e\n\u003cp\u003eStreet photography about looking, remembering, and finding meaning in what might otherwise disappear.\u003c\/p\u003e\n\u003cp\u003e“Just as long as I have been searching for meaningful compositions and striking light on the streets of NY, I have been searching my archive to find that special shot I took 15, 20 years ago or even yesterday. I organize imagery using descriptive words, dates, names and location. For instance, I'll search ‘BROADWAY’ or ‘BIRD’ or ‘CROSSWALK’. The groupings that emerge are always fascinating to me, the random connective threads sometimes disparate, tell a story a new story. These stories are about how we move within a cityscape, communicate, love, fight, dance and survive. The streets are like a canvas where a piece of wood in a trash can becomes a beautiful sculpture, where the rooftops are a spiritual respite from the streets — yet still part of the same pulse, the same club. The way we move through public space — walking, dancing, skating, or even fighting — has a distinct rhythm, a pace that belongs distinctly to NYC. 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